Molly Tue, August 6, 2013 
We can look forward to at least ONE new Catching Fire still in the upcoming Fall Movie Preview Issue of EW! Katniss looks to be going back into the arena in the hovercraft in the exclusive still from Entertainment Weekly.
Molly Tue, August 6, 2013 
'The Butler' press conference Image courtesy @SuzyByrne
Lenny Kravitz (Cinna) is making the press rounds to promote his new movie The Butler. He attended a press conference for the movie today and the premiere of the movie in New York City tonight.
Lenny Kravitz at 'The Butler' premiere. Photo courtesy Zimbio
He'll be a guest on LIVE With Kelly & Michael on Thursday, 8/8 and will headline the opening ceremonies of the US Open tennis tournament on Mon, 8/26.
Molly Mon, August 5, 2013 
Image Credit: Murray Close; (inset) Larry Busacca/Getty ImagesCatching Fire costume designer Trish Summerville talked with EW about everything from her influences and start in the biz to "bumping up" the Peacekeepers uniforms in Catching Fire.
From EW:
Having made a name for herself as a celebrity stylist for artists like Christina Aguilera and Pink, Summerville transitioned in costume design in 1996, working as an assistant on films like The Long Kiss Goodnight and the David Fincher thriller The Game. In 2011 Summerville got her big break when Fincher chose her to head up the wardrobe department on The Girl with the Dragon Tattoo — a job that led to a deal with Swedish retailer H&M for a clothing collection based on the look of female protagonist Lisbeth Salander.
Most recently, Summerville created the wardrobe for Showtime’s Ray Donovan and took on the task of pulling together the couture-inspired costumes for The Hunger Games: Catching Fire. EW sat down with the designer to ask her about what’s on her inspiration board, her favorite Catching Fire costume, and the look that launched her career.
Entertainment Weekly: How have the past 18 months or so been for you?
Trish Summerville: [It's] been a little hectic. I guess I kind of went from Dragon, which I was on from start to finish — including the H&M line — almost 18 months, and from that right into doing the pilot for the Showtime show Ray Donovan, which I just got to see. They had a screening and a premiere, and it was a great time. It looks really good. I’m really excited. And I kind of went from that into Catching Fire. It’s been great, it’s been a lot of work but I like to work a lot, so it’s been really nice. It’s been a really great whirlwind and I feel really, really fortunate because the last few projects that I’ve been on, even though they’ve been a bit challenging at times, I feel really fulfilled, and I’ve gotten to work with such a great group of people. Especially when you look at all of the directors and actors involved.
Who are your inspirations these days?
There are some designers that I really, really love and am inspired by, and aren’t always applicable for things. For the last, I guess it’s almost two years, I’ve been really obsessed with Iris van Herpen. The stuff she does is so groundbreaking and technical, and architectural, that she really just blows my mind. And she’s so young. The techniques she comes up with and all this 3-D fabrication she’s doing, and holograms, and just the materials that she’s using, and the structure that she does, the applications, and the shoes. I just think she’s really phenomenal. She did a pair of shoes she called the Fang Shoe, which I was obsessed with. I know she just did a water dress, but there was quite a bit before that.
Was there one look you created that you would say changed everything for you?
One of the funny ones, I guess, that got talked about was the David LaChapelle video for Christina Aguilera’s ”Dirty.” [The chaps] got a lot of attention. And it was just so funny because everyone kept calling them “ass-less chaps,” but in general, chaps don’t have a bum. Good or for bad, that definitely got a lot of attention. When I look at what I think was kind of pivotal, it’s Lisbeth Salander’s look from The Girl With the Dragon Tattoo. I wanted it to be really authentic and it was very genuine, as opposed to when you do a lot of music stuff it has a lot of flash, it has to make a statement and be bold. Whereas what I really enjoy about film is that you have this character development. It’s about those authenticities of what that character would really do and how they function every day in life. It’s not just about fashion. Like with Lisbeth, we went fully for function, the function of her clothes and what she could find, and how she would really wear it in her life. You know, the drop-crotch pants with the tight-fitted leather jacket, the fingerless gloves, and the taped-up combat boots. I think was a really iconic look.
What was the last look that you designed?
The last thing I designed would have been, I guess in Catching Fire, some of the looks in that are pretty intense, very colorful, so that was great fun because it took me completely into another world that’s not particularly my aesthetic. I like a lot of muted tones and unsaturated, washed out… and that was great because it propelled my mind to think in a really different manner because it is quite over the top. It’s kind of futuristic, but it’s not sci-fi on any level. It’s really bold and really colorful and quite campy at times, then it gets really serious. I tried to bring a little bit of darkness to it, you’re seeing a world that was already created in a book. You want to try to be really respectful to the writers, and you want to be respectful to the fan base, but then you also have to figure out what works visually and what you can bring to it as well. [And] I did the second installation so there’s certain things you want to be respectful about for the characters from the first one, but then also show a period of growth and transition.
I love the Peacekeepers that I did. I wanted to make them look a little more menacing, kind of insect-like. I draw a lot in my inspiration boards from different projects, a lot from nature, and animals, and insects. I just think that there’s so much there, in silhouettes and colors. The colors, they’re amazing, when you look in the insect world, and at in animals and nature. I wanted to make these Peacekeepers… after the first film, I felt like they needed to be bumped up a bit, because of what was going on in the second film with the rebellion that’s starting. I felt that we needed to show a transition, that the Capitol is stepping up its forces and making it much more intimidating and fearsome. So I went for this sort of spiny, praying mantis sort of look for them.
About your inspiration board, can you tell me what kinds of things are on it and how they inspire you?
For each project I do a new inspiration board. For Catching Fire I think we had probably 30, 40, 60 inspiration boards, because I did them for every district and every kind of character we had. On my personal board I have some photographs of native Americans, the Maasai tribe up, which I love, the east Indian painted elephants used for weddings and ceremonies.
What are you working on next?
I’m working on a movie, hopefully next year. It’s under wraps still. I’m crossing my fingers it’s shooting in [Los Angeles], which would be amazing. I live in Los Angeles. I hear the talk of Old Hollywood and how everything was shot here, but now so much stuff is shot outside of town.
Read the rest of the article at EntertainmentWeekly.com
Molly Mon, August 5, 2013 
All photos by Shelby Duncan
Jena Malone has a beautiful feature in the latest LADYGUNN Magazine. She talks about her acting career and gives us some insight into her method, plus she talks about her audition for Catching Fire, "I blew them out of the water." The gorgeous photographs are by Shelby Duncan
LG: Congrats on THE HUNGER GAMES, by the way.
Jena: Thank you! Can’t comment on it yet, but I’m allowed to say how excited I am to be working on it. It’s a fucking dream! My little sister recommended I read it like two years ago and now she is dying.
LG: Nowadays some girls are instant celebrities, whether they deserve it or not, because they played the “Hollywood” game.
Jena: Seriously, you get one film, you hire a publicist and a stylist, all of that, and instantly you look like a celebrity. Where is your voice? Where is your point of view? That’s what made Julia Roberts so interesting when she was younger. And people like Madonna. That’s what makes Meryl Streep interesting every single time she walks out the door. She has a point of view. These other women buy their point of view from stylists or fashion people or agents. But they make far more money than I do. They are getting job offers that I could only dream of. There are some aspects where I wish someone would have just told me when I was a hot-headed 17-year-old, I could have just played the game a little straighter and I would have been able to have more doors open now.
LG: Well, THE HUNGER GAMES, c’mon, that’s a pretty big coup.
Jena: That’s the funny thing, the only reason I got this is because I blew them out of the water in the audition. It wasn’t because I played the game right and wore the sexy skirt, it was because I went in there and really auditioned and they actually had a casting director that wanted to cast real actors. That is not always the case.
LG: Especially in such a large franchise.
Jena: Right, I often see a lot of the younger actors who are like, “What should I do?” Honestly, it’s hard either way. It’s hard to be yourself and it’s hard not to be yourself. Both have a means of making you feel insecure and not sturdy in your job. It’s such a delicate thing. You’ve got to play the game a little bit. Even that’s a stylistic choice, even that’s a persona. It’s all a guise, a dream within a dream, so what’s really the truth of it? It’s far deeper inside, not on the outside. I think that’s what I am learning now. How to appreciate the material aspects that basically form that language of Hollywood without depreciating my internal aspects.
Read the rest of this great article at Ladygunn
Thanks to TheHob.org for the tip!
Molly Mon, August 5, 2013 HitFix sat down with Liam Hemsworth to talk about his upcoming film, Paranoia. They spoke a bit about Catching Fire and Liam talks about Gale and says that his "stuff is more in the 3rd one, actually."
From HitFix:
The Hemsworths, though, are just these two charming giants, Australian boys who obviously drank their milk. Liam's been working like a madman for the last few years, and I think it' s safe to say that at this point, the biggest thing he's ever booked was his role as Gale in The Hunger Games. In that first film, it doesn't really seem like much of a break for an actor, and I asked him when we sat down to talk about "Paranoia" if it felt good to finally jump in for The Hunger Games: Catching Fire.
After all, the new trailer for the film features what seems to be a pretty big couple of moments for Gale, and I seem to remember his character playing a larger role in the second book.
You'll see Hemsworth's response here, and it sounds to me like he really doesn't get to take center stage now until the third and fourth film. That's got to be tough as an actor, basically playing a supporting supporting supporting role while waiting for the future chapter of the story where you get to finally show everyone why you were cast in the first place.
Molly Sun, August 4, 2013 
Liam Hemsworth is doing a whirlwind press tour for his upcoming movie, Paranoia (opens 8/16). This week he hits GMA and LIVE With Kelly & Michael, and the Soho Apple Store for "Meet The Filmmakers" Event (6pmET) on Monday 8/5, and heads over to The Daily Show on Tuesday 8/6.
Next week he'll head over to Jimmy Kimmel Live on Monday, August 12th.
Video from Liam Hemsworth's appearance on GMA
Liam on Jennifer Lawrence post-Oscar: "She's great. You wouldn't even know. Nothing has gone to her head over the last few years. When I first met her and worked with her she was full of life and brings such a great energy to set. When you're shooting tough stuff like the themes in Hunger Games it can be a little dark at times. She's got such a great energy about her and she's still that way."
Liam on Mockingjay Part I (which starts shooting in Sept):
"There's a lot more for Gale. Francis Lawrence did the last one and he's doing the rest of them and he's such a good director, such a great guy to work with and a really interesting person and I think he's doing a great job."
Molly Fri, August 2, 2013 
Catching Fire costume designer Trish Summerville posted 2 behind-the-scenes photos to her instagram account yesterday. It's fascinating to see the incredible volume of costumes they were working with on the film. They were taken this time last year when they were setting up for Catching Fire in Atlanta.
Follow the amazing Trish Summerville on instagram at @mztsummerville and twitter at @MzTSummerville.
Molly Fri, August 2, 2013 Lenny Kravitz (Cinna) made an appearance on Late Night With Jimmy Fallon last night and played an all-star version of Pictionary with Jimmy, Jennifer Aniston and Cee-Lo Green. He also sat down with Fallon and talked about his acting career and got a surprise viewing of a very old commercial he did as an adorable little guy.
