The email sent will contain a link to this article, the article title, and an article excerpt (if available). For security reasons, your IP address will also be included in the sent email.
Photo by Todd Plitt
It’s always a treat to hear what goes through Suzanne Collins mind when she’s writing! Here's a great (and rare) interview with Suzanne and David Levithan, VP, Publisher and Editorial Director at Scholastic, and one of her editors, about the making of the book. There are a few spoilers if you haven’t read the book yet! Read on at your own risk.
The Ballad of Songbirds and Snakes
David Levithan: I’ll start with the two questions I’m sure most readers will want to ask: Did you always plan to return to Panem after the trilogy with a book set sixty-four years earlier? And if not, what made you return to the story in this way?
Suzanne Collins: Here’s how it works now. I have two worlds, the Underland (the world of The Underland Chronicles series) and Panem (the world of The Hunger Games). I use both of them to explore elements of just war theory. When I find a related topic that I want to examine, then I look for the place it best fits. The state of nature debate of the Enlightenment period naturally lent itself to a story centered on Coriolanus Snow.
Focusing on the 10th Hunger Games also gave me the opportunity to tell Lucy Gray’s story. In the first chapter of The Hunger Games, I make reference to a fourth District 12 victor. Katniss doesn’t seem to know anything about the person worth mentioning. While her story isn’t well-known, Lucy Gray lives on in a significant way through her music, helping to bring down Snow in the trilogy. Imagine his reaction when Katniss starts singing “Deep in the Meadow” to Rue in the arena. Beyond that, Lucy Gray’s legacy is that she introduced entertainment to the Hunger Games.